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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
A performance at the Jazz in Duketown festival in 2019, located at 's-Hertogenbosch, North Brabant, Netherlands. Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
In the 1930s "shag" became a blanket term that signified a rather large family of jitterbug dances (swing dances) that all shared certain characteristics. The most notable of these characteristics are (1) a pulse that's consistently held up high on the balls of the feet (a.k.a. a "bounce" or "hop" to match every beat in the music) and (2) footwork with kicks that reach full extension on the ...
In New Zealand, it was certified four times Platinum. The song was the best-selling single of 2012 in the UK with 1,318,000 copies sold. [59] [60] Gotye has not monetised the song or any of his others through advertisements on YouTube, as he believes that there is too much advertising in the world.
Relatively little has been written about sacred and liturgical jazz. In a 2013 doctoral dissertation, Angelo Versace examined the development of sacred jazz in the 1950s using disciplines of musicology and history. He noted that the traditions of black gospel music and jazz were combined in the 1950s to produce a new genre, "sacred jazz". [187]
Smith's recording with her Jazz Hounds has been called the earliest genuine jazz recording by a black ensemble. [110] Bix Beiderbecke recorded an influential version in 1927. [109] Darius Milhaud used the song in his ballet La création du monde. [111] 1919 – "Someday Sweetheart". [112] Jazz song credited to John Spikes. [113]
A two bar sequence at the end of a blues progression, rhythm changes progression, or other forms, notably 32-bar AABA jazz song forms, which signals to the listeners and performers that the song ending or subsection ending has been reached, and as such, the song will repeat again from the beginning.
An instrumental version of the song was used in the 1933 film Baby Face starring Barbara Stanwyck. In 1958, Little Richard peaked at No. 12 on the R&B chart and No. 41 on the pop chart with his version of the song. [3] It also reached No. 2 in the UK in January 1959, becoming Little Richard's highest-charting single in the United Kingdom.