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Trees in Chinese mythology and culture tend to range from more-or-less mythological such as the Fusang tree and the Peaches of Immortality cultivated by Xi Wangmu to mythological attributions to such well-known trees, such as the pine, the cypress, the plum and other types of prunus, the jujube, the cassia, and certain as yet unidentified trees.
Lime tree in culture – uses of the lime (linden) tree by humans; Rose symbolism – a more expansive list of symbolic meanings of the rose; Apple (symbolism) – a more expansive list of symbolic means for apples
Chinese mythology (traditional Chinese: 中國神話; simplified Chinese: 中国神话; pinyin: Zhōngguó shénhuà) is mythology that has been passed down in oral form or recorded in literature throughout the area now known as Greater China. Chinese mythology encompasses a diverse array of myths derived from regional and cultural traditions.
Feng (mythology), an edible monster that resembles a two-eyed lump of meat and magically grows back as fast as it is eaten. Fenghuang, Chinese phoenix; Fenghuang. Feilian, god of the wind who is a winged dragon with the head of a deer and tail of a snake. Feilong, winged legendary creature that flies among clouds. Fish in Chinese mythology ...
Nang Ta-khian, related to the Hopea odorata (Ta-khian tree) in Thai folklore; Nang Tani, an ambiguous female spirit who lives in the Musa balbisiana (wild banana tree) Nariphon, a tree in Buddhist mythology which bears fruit in the shape of young female creatures; Penghou, an edible dog-shaped spirit in Chinese mythology; Pi-Fang, a Chinese ...
Yggdrasil, the World Ash of Norse mythology. The world tree, with its branches reaching up into the sky, and roots deep into the earth, can be seen to dwell in three worlds—a link between heaven, the earth, and the underworld, uniting above and below. This great tree acts as an axis mundi, supporting or holding up
A dictionary of Chinese symbols : hidden symbols in Chinese life and thought. London: Routledge & Kegan Paul. ISBN 978-0-203-03877-2. OCLC 826514710. Ren, Liqi (2013). Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University.
Iusaaset was associated with the acacia tree and acacias stood at the sanctuary dedicated to Iusaaset at Heliopolis. [3] The process of creation was said to have begun when Atum masturbated, or copulated with himself, to produce the deities Shu and Tefnut, thus beginning the process of creation. The hand he used in this act was personified as a ...