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Radio broadcasting is the broadcasting of audio (sound), sometimes with related metadata, by radio waves to radio receivers belonging to a public audience. In terrestrial radio broadcasting the radio waves are broadcast by a land-based radio station , while in satellite radio the radio waves are broadcast by a satellite in Earth orbit.
A radio format or programming format (not to be confused with broadcast programming) describes the overall content broadcast on a radio station. [1] The radio format emerged mainly in the United States in the 1950s, at a time when radio was compelled to develop new and exclusive ways to programming by competition with television. [2]
Also AM radio or AM. Used interchangeably with kilohertz (kHz) and medium wave. A modulation technique used in electronic communication where the amplitude (signal strength) of the wave is varied in proportion to that of the message signal. Developed in the early 1900s, this technique is most commonly used for transmitting an audio signal via a radio wave measured in kilohertz (kHz). See AM ...
Radio broadcasting means transmission of audio (sound) to radio receivers belonging to a public audience. Analog audio is the earliest form of radio broadcast. AM broadcasting began around 1920. FM broadcasting was introduced in the late 1930s with improved fidelity. A broadcast radio receiver is called a radio. Most radios can receive both AM ...
In the early radio age, content typically included a balance of comedy, drama, news, music and sports reporting. Variety radio programs included the most famous Hollywood talent of the day. During the 1920s, radio focused on musical entertainment, the Grand Ole Opry, has been focused on broadcasting country music since it began
A transcription disc is a special phonograph record intended for, or recorded from, a radio broadcast. Sometimes called a broadcast transcription or radio transcription or nicknamed a platter, it is also sometimes just referred to as an electrical transcription, usually abbreviated to E.T. among radio professionals.
In the early 1950s, Mike Nichols wrote the following announcer test for radio station WFMT in Chicago. The WFMT announcer's lot is not a happy one. In addition to uttering the sibilant, mellifluous cadences of such cacophonous sounds as Hans Schmidt-Isserstedt, Carl Schuricht, Nicanor Zabaleta, Hans Knappertsbusch and the Hammerklavier Sonata, he must thread his vocal way through the ...
Radio call signs are a globally unique identifier assigned to all stations that are required to obtain a license in order to emit RF energy. The identifiers consist of from 3 to 9 letters and digits, and while the basic format of the call signs are specified by the ITU-R Radio Regulations, Article 19, Identification of stations, [5] the details are left up to each country's radio licensing ...