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The trochaic tetrametrical meter that characterises the traditional poetry of most Finnic-language cultures, known as Kalevala meter, does not deploy alliteration with the structural regularity of Germanic-language alliterative verse, but Kalevala meter does have a very strong convention that, in each line, two lexically stressed syllables ...
Alliteration is used in the alliterative verse of Old English poems like Beowulf, Middle English poems like Sir Gawain and the Green Knight, Old Norse works like the Poetic Edda, and in Old High German, Old Saxon, and Old Irish. [3] It was also used as an ornament to suggest connections between ideas in classical Latin, Greek, and Sanskrit poetry.
The alliterative verse found in Old English, Middle English, and some modern English poems can be added to this list, as it operates on somewhat different principles than accentual verse. Alliterative verse pairs two phrases (half-lines) joined by alliteration; while there are usually two stresses per half-line, variations in the number of ...
Just using a basic understanding of the alliterative verse can give a clue as to what the word might be. The type lines are also used to determine the lost words if only one or two words are missing, and the place of the alliterator and the stressed syllables is known.
Chiasmus: repetition of any group of verse elements (including rhyme and grammatical structure) in reverse order. [1] Consonance: the repetition of identical or similar consonants in neighboring words whose vowel sounds are different Alliteration: the repetition of initial stressed, consonant sounds in a series of words within a phrase or verse ...
Eduard Sievers developed a theory of the meter of Anglo-Saxon alliterative verse, which he published in his 1893 Altgermanische Metrik. [1] Widely used by scholars, it was in particular extended by Alan Joseph Bliss. [2] Sievers' system is a primarily method of categorization rather than a full theory of meter.
They can also carry a meaning separate from the repetitive sound patterns created. For example, Chaucer used heavy alliteration to mock Old English verse and to paint a character as archaic. [74] Rhyme consists of identical ("hard-rhyme") or similar ("soft-rhyme") sounds placed at the ends of lines or at locations within lines ("internal rhyme ...
The Eddic poems are composed in alliterative verse. Most are in fornyrðislag ("old story metre"), while málaháttr ("speech form") is a common variation. The rest, about a quarter, are composed in ljóðaháttr ("song form"). The language of the poems is usually clear and relatively unadorned.