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Stompbox-format tuner pedals route the electric signal for the instrument through the unit via a 1/4" patch cable. These pedal-style tuners usually have an output so that the signal can be plugged into a guitar amp to produce sound.
Noise reduction is the process of removing noise from a signal. Noise reduction techniques exist for audio and images. Noise reduction algorithms may distort the signal to some degree. Noise rejection is the ability of a circuit to isolate an undesired signal component from the desired signal component, as with common-mode rejection ratio.
A clip-on tuner attaches to the instrument and senses the vibrations from the instrument, even in a noisy environment. A clip-on tuner clips onto an instrument—such as onto the headstock of a guitar or the bell of a trombone. A vibration sensor built into the clip transmits the instrument vibrations to the tuning circuitry.
Electric bass players often use compression effects, either effects units available in pedal, rackmount units, or built-in devices in bass amps, to even out the sound levels of their basslines. Gain pumping , where a regular amplitude peak (such as a kick drum) causes the rest of the mix to change in volume due to the compressor, is generally ...
MPX filter is a function found in analogue stereo FM broadcasting and personal monitor equipment, [1] FM tuners [2] and cassette decks. [3] An MPX filter is, at least, a notch filter blocking the 19 kHz pilot tone, and possibly higher frequencies in the 23-53kHz and 63-75kHz bands.
The use of distortion pedals was popularized by Keith Richard's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song "(I Can't Get No) Satisfaction". [1] [2] Later pedals like the Pro Co Rat and Ibanez Tube Screamer have achieved iconic status among guitarists and are a key element in many players' tones. Industry publications ...
An earlier Electro-Harmonix pedal, the Axis Fuzz, was also manufactured for the Guild guitar company as the Foxey Lady and used a similar chassis as the early Big Muffs, but had a simpler two-transistor circuit. With the introduction of the Big Muff, the Axis was discontinued and the Foxey Lady pedal became a rebranded Big Muff.
Boss has since released several pedals using COSM, including the FBM-1 '59 Fender Bassman pedal and FDR-1 '65 Fender Deluxe Reverb pedal, introduced at the Winter NAMM show in January 2007. All Boss compact pedals use a "buffered bypass" type of silent foot switching utilizing Field Effect Transistors (FETs) to avoid clicks and pops.
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