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"Suffragette City" is a song by the English singer-songwriter David Bowie. It was originally released in April 1972 as the B-side of the single "Starman" and subsequently appeared on his fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972).
Also recorded during this session was "Rock 'n' Roll Suicide" and "Suffragette City". [4] Co-produced by Ken Scott, Bowie recorded it with his backing band the Spiders from Mars, comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. [6] Doggett finds it similar to his earlier hit "Space Oddity" in that it is a "space-age novelty hit". [7]
While recording Ziggy Stardust, Bowie offered "Suffragette City" to the band Mott the Hoople, who were on the verge of breaking up, but they declined. So Bowie wrote a new song for them, "All the Young Dudes". [23] [74] With Bowie producing, the band recorded the track in May 1972. [150]
The sheet includes notes, corrections and drafts for Rock n Roll Suicide and Suffragette City. Skip to main content. Sign in. Mail. 24/7 Help. For premium support please call: 800-290 ...
The song's lyrics are abstract and relate to love. Bowie debuted the song on the variety show Dinah! on 3 January 1976. In July the same year, RCA Records released "Stay" as the B-side of "Suffragette City" and again as an A-side in edited form in the United States; both failed to chart. The track has received positive reviews from music ...
The art rock and jazz album was Bowie's intended swan song, featuring several lyrics that revolved around his impending death. [51] [52] [53] Three new songs from the Blackstar sessions were released on the EP No Plan in 2017. [54] Bowie's unreleased album Toy, recorded in 2000, was posthumously released in 2021. [55]
On 4 February 1972, [2] David Bowie sent the band a demo of "Suffragette City" in hopes they would record it. The band played it and believed it did not fit their style. Bassist Pete Watts contacted Bowie in late March 1972 and politely rejected it, stating the band broke up. Upon learning this, Bowie contacted Watts back two hours later and ...
Bowie's allusions to Taylor include identifying himself as a "leper messiah". [2] Other influences included the Legendary Stardust Cowboy and Kansai Yamamoto, who designed the costumes Bowie wore during the tour. [15] [16] Bowie told Rolling Stone that the name "Ziggy" was "one of the few Christian names I could find beginning with the letter ...