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Blood, Sweat & Tears (also known as "BS&T") is an American jazz rock music group founded in New York City in 1967, noted for a combination of brass with rock instrumentation. BS&T has gone through numerous iterations with varying personnel and has encompassed a wide range of musical styles.
Title Album details Peak chart positions Certifications; US [1]AUS [4]CAN [5]Greatest Hits: Released: February 1972; Label: Columbia; Formats: LP, MC, 8-track, reel-to-reel
Brenda Holloway's "You've Made Me So Very Happy" received a boost when the jazz-rock group Blood, Sweat & Tears recorded a new arrangement in 1969. [7] Included on the group's eponymous second album, it became one of Blood, Sweat & Tears' biggest hits, reaching number 2 on the Billboard Hot 100 in the United States in April 1969. [8]
Greatest Hits is a compilation album by the band Blood, Sweat & Tears, initially released in February 1972. Although Blood, Sweat & Tears continued to record and tour for several more years, the band's lineup changed dramatically after Blood, Sweat & Tears 4. This compilation album includes all of the group's best-known material up to that time.
With Clayton-Thomas fronting the band, Blood, Sweat & Tears continued with a string of hit albums, including Blood, Sweat & Tears 3 which featured Carole King's "Hi-De-Ho" and Clayton-Thomas's "Lucretia MacEvil", and Blood, Sweat & Tears 4, which yielded another Clayton-Thomas-penned hit single, "Go Down Gamblin'" and "Lisa Listen to Me".
Blood, Sweat & Tears is the second album by the American band Blood, Sweat & Tears, released on December 11, 1968.It was the most commercially successful album for the group, rising to the top of the U.S. charts for a collective seven weeks and yielding three successive Top 5 singles.
B, S & T; 4 (also expanded as Blood, Sweat & Tears; 4) is the fourth album by the band Blood, Sweat & Tears, released in June 1971. It peaked at number 10 on the Billboard Pop albums chart. The band invited former member Al Kooper to contribute the song "John the Baptist (Holy John)".
Blood, Sweat & Tears also recorded it on their 1970 album, Blood, Sweat & Tears 3. The protagonist of the song, a profane demi-god, follows the eponymous headmen across the sea, on foot, to a hidden cave where they have stored up a large treasure.