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Originating in ancient India, Vastu Shastra (Sanskrit: वास्तु शास्त्र, vāstu śāstra – literally "science of architecture" [2]) is a traditional Hindu system of architecture [3] [4] based on ancient texts that describe principles of design, layout, measurements, ground preparation, space arrangement, and spatial geometry. [5]
The mandala pada facing sunrise is dedicated to Surya, the sun-god. The Surya pada is flanked by the padas of Satya, the deity of Truth, on one side and Indra , the king of the demigods, on other. The east and north faces of most temples feature a mix of gods and demigods; while the west and south feature demons and demigods related to the ...
Architecture of a Hindu temple (Nagara style). These core elements are evidenced in the oldest surviving 5th–6th century CE temples. Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or ...
Cathedral oriented to the east. The arrow indicates the west front entrance. The orientation of a building refers to the direction in which it is constructed and laid out, taking account of its planned purpose and ease of use for its occupants, its relation to the path of the sun and other aspects of its environment. [1]
The candi architecture follows the typical Indonesian architectural traditions based on Vastu Shastra. The temple layout, especially in the Central Java period, incorporated mandala temple plan arrangements and also the typical high towering spires of Hindu temples. The candi was designed to mimic Meru, the holy mountain and the abode of the gods
The Sabarimala Sree Dharma Sastha Temple [1] (Malayalam pronunciation: [ʃabəɾimala]) is a Hindu temple dedicated to the god Ayyappan, who is also known as Dharma Shasta and is the son of the deities Shiva and Mohini (female avatar of the god Vishnu).
In fact, Shaniwar Wada is the only fort structure in India to have its main gate facing Delhi, the medieval imperial capital of Mughal Empire. Even Chhatrapati Shahu is said to have considered the north-facing fort an indication of Baji Rao's ambitions against the Mughal Empire, and suggested that the main gate should be made of chhaatiiche ...
There are two tall copper images of the dwarapalakas Jaya and Vijaya on either side of the door. The thick wooden door is covered with gilt plates depicting the dasavataram of Sri Maha Vishnu. The doorway is directly in line with the Padi Kavali and the Vendi Vakili (Meaning Silver Corridor in Telugu). It admits pilgrims to the Snapana Mandapam.