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A wax sculpture is a depiction made using a waxy substance. Often these are effigies, usually of a notable individual, but there are also death masks and scenes with many figures, mostly in relief. The properties of beeswax make it an excellent medium for preparing figures and models, either by modeling or by casting in molds.
Bronze sculptures incorporated in fountains will need more layers of wax, because the spray of water will cause deterioration of the wax at a faster pace than would normally happen. Different aspects of the water need to be monitored, including but not limited to pH, total alkalinity, and hardness or level of dissolved mineral salts.
Horse and Rider is a beeswax sculpture depicting a rider on a horse. The history of the sculpture is unknown before the 20th century. The work has been attributed to Leonardo da Vinci by the Italian art historian Carlo Pedretti, though most historians have ignored or denied the attribution. A number of casts have been made, using a mold taken ...
Location. National Museum, New Delhi, Delhi. Dancing Girl is a prehistoric bronze sculpture made in lost-wax casting about c. 2300 –1751 BC in the Indus Valley civilisation city of Mohenjo-daro (in modern-day Pakistan), [1] which was one of the earliest cities. The statue is 10.5 centimetres (4.1 in) tall, and depicts a nude young woman or ...
This may be done by hand, water blasting, air abrasion, or other methods. Then, a wax or wax composite is applied to the sculpture in sweeping motions. Finally, the wax is buffed with a cotton cloth. [6] Ceramic sculptures: Ceramic sculptures are much less common than bronze sculptures, and require a different conservation and maintenance ...
Classical Greek sculpture has long been regarded as the highest point in the development of Ancient Greek sculpture. Classical Greece covers only a short period in the history of Ancient Greece, but one of remarkable achievement in several fields. It corresponds to most of the 5th and 4th centuries BC; the most common dates are from the fall of ...
Bode was convinced that the bust was by Leonardo da Vinci and the Berlin Museum authorities, and the German public, were delighted to have "snatched a great art treasure from under the very noses" of the British art world. [2] In 1910, it was revealed that the work may have actually been created by the English sculptor, Richard Cockle Lucas. [3]
Philippe Curtius (1737–1794) was a Swiss physician and wax modeller who taught Marie Tussaud the art of wax modelling. Marie Grosholtz, the future Marie Tussaud, lived in the Bern home of Curtius, for whom her mother acted as housekeeper. Marie called him 'Uncle', and in many ways he was a father figure. Curtius used his skill in wax ...
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