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The term Titian is sometimes misapplied [citation needed] to auburn hair. Whereas Titian hair is a brownish shade of red hair, auburn hair is a brownish shade of hair encompassing the actual color red. Most definitions of Titian hair describe it as a brownish-orange color, [5] but some describe it as being reddish. [6]
v. t. e. Tiziano Vecellio (Italian: [titˈtsjaːno veˈtʃɛlljo]; c. 1488/90[1] – 27 August 1576), [2] Latinized as Titianus, hence known in English as Titian (/ ˈtɪʃən / ⓘ TISH-ən), was an Italian Renaissance painter, [a] the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. [4]
Whereas Titian hair is a brownish shade of red hair, auburn hair is specifically defined as including the actual color red. Most definitions of Titian hair describe it as a brownish-orange color, [1] [2] but some describe it as being reddish. [3] This is in reference to red hair itself, not the color red.
Bacchus and Ariadne (1522–1523) [1] is an oil painting by Titian. It is one of a cycle of paintings on mythological subjects produced for Alfonso I d'Este, Duke of Ferrara, for the Camerino d'Alabastro – a private room in his palazzo in Ferrara decorated with paintings based on classical texts. An advance payment was given to Raphael, who ...
The Cupid and part of the relief. Sacred and Profane Love (Italian: Amor Sacro e Amor Profano) is an oil painting by Titian, probably painted in 1514, early in his career. The painting is presumed to have been commissioned by Niccolò Aurelio, a secretary to the Venetian Council of Ten, whose coat of arms appears on the sarcophagus or fountain ...
The Three Ages of Man (Italian Le tre età dell'uomo) is a painting by Titian, dated between 1512 and 1514, and now displayed at the Scottish National Gallery in Edinburgh. . The 90 cm high by 151 cm wide Renaissance art work was most likely influenced by Giorgione's themes and motifs of landscapes and nude figures—Titian was known to have completed some of Giorgione's unfinished works after ...
Its presence in the painting hints at the connection between music theory in Ferrara and Titian's musically influenced use of color. [1] In the painting, however, none of the instruments are being played. The only instruments portrayed are the "straight flute". Two are held by the girls in the foreground, and a third is on the ground behind ...
No surviving sources mention how, when or by whom the work was commissioned. [1] Its subject was a major patron of the arts and the main intermediary between Titian and the Farnese family, first commissioning Portrait of Ranuccio Farnese from him, showing Alessandro's younger brother, then Portrait of Pope Paul III and finally a Danaë for his own private rooms. [1]