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The Last Supper. The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his apostles in Jerusalem before his crucifixion. [2] The Last Supper is commemorated by Christians especially on Holy Thursday. [3] The Last Supper provides the scriptural basis for the Eucharist, also known as "Holy Communion" or "The Lord's Supper".
By 1517, Leonardo da Vinci's The Last Supper had already started to deteriorate, as was noted in many diaries and letters of the time. The corrosion of the work can be accredited to Leonardo's unconventional painting technique for a work on a wall, as well as the surface itself. The refectory of Santa Maria delle Grazie sits in a low-lying part ...
Europe and North America. Santa Maria delle Grazie ("Holy Mary of Grace") is a church and Dominican convent in Milan, northern Italy, and a UNESCO World Heritage Site. The convent contains the mural of The Last Supper by Leonardo da Vinci, which is in the refectory.
Why was "The Last Supper" referenced at the Opening Ceremony? Long story short: the painting isn't actually the correct reference. While the Olympics performance may have invoked da Vinci's ...
Signature. Leonardo di ser Piero da Vinci[b] (15 April 1452 – 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. [3] While his fame initially rested on his achievements as a painter, he has also become known for his notebooks, in which ...
CBS News. July 29, 2024 at 1:44 PM. The organizers behind the Paris Olympics apologized to anyone who was offended by a tableau that evoked Leonardo da Vinci's "The Last Supper" during Friday's ...
The Last Supper, ca. 1520, by Giampietrino, after Leonardo da Vinci, oil on canvas, in the collection of The Royal Academy of Arts, London; an accurate, full-scale copy of the original that was the main source for the twenty-year restoration of the original work (1978–1998)
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