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Form is a three-dimensional object with volume of height, width and depth. [2] These objects include cubes, spheres and cylinders. [2] Form is often used when referring to physical works of art, like sculptures, as form is connected most closely with those three-dimensional works. [5]
A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
The etymology of the word "morphology" is from the Ancient Greek μορφή (morphḗ), meaning "form", and λόγος (lógos), meaning "word, study, research". [2] [3]While the concept of form in biology, opposed to function, dates back to Aristotle (see Aristotle's biology), the field of morphology was developed by Johann Wolfgang von Goethe (1790) and independently by the German anatomist ...
Colors also have value; for example, yellow has a high value while blue and red have a low value. If you take a black and white picture of a colorful scene, all you are left with are the values. This important element of design, especially in painting and drawing, allows the artist to create the illusion of light through value contrast.
Human physical appearance is the outward phenotype or look of human beings. Image of a European female (left) and an East Asian male (right) human body seen from front (upper) and back (lower). Adult human bodies photographed whose naturally-occurring pubic, body, facial, but not head hair have been deliberately removed to show anatomy.
On a physical level, the color red is great for numbness or battling a seasonal cold. Red clothing or red lipstick are both effective ways of adding more of this fiery color to your day-to-day life.
Art form refers to the elements of art that are independent of its interpretation or significance. It covers the methods adopted by the artist and the physical composition of the artwork, primarily non-semantic aspects of the work (i.e., figurae), [57] such as color, contour, dimension, medium, melody, space, texture, and value.
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