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In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. [1] The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
Credits for the origin of the greeting vary. However, the phrase "Christ is risen" is likely a shortened piece from Matthew 28:5-6, "The angel said to the women, “Do not be afraid, for I know that you are looking for Jesus, who was crucified. He is not here; he has risen, just as he said. Come and see the place where he lay." [7]
An angel appears who rolls back the stone and sits on it outside the tomb, telling them that "He is not here; for he has been raised, as he said." [8] Two men "in dazzling clothes" suddenly appear while they are in the tomb, saying that "He is not here, but has risen." [9] Appearance of two angels to Mary Magdalene. [10]
1. "And he said to them, “Do not be alarmed. You seek Jesus of Nazareth, who was crucified. He has risen; he is not here." — Mark 16:6 2. "But on the first day of the week, at early dawn, they ...
Openclipart, also called Open Clip Art Library, is an online media repository of free-content vector clip art.The project hosts over 160,000 free graphics and has billed itself as "the largest community of artists making the best free original clipart for you to use for absolutely any reason".
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
Mark 16:1–8 probably represents a complete unit of oral tradition taken over by the author. [17] It concludes with the women fleeing from the empty tomb and telling no one what they have seen, and the general scholarly view is that this was the original ending of this gospel, with the remaining verses, Mark 16:9–16, being added later.