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These wise words from artists, poets, singers, and mere mortals in love will help you choose the perfect phrases to describe your romance. Whether your love language is silly or serious, this list ...
“Love is not love until love’s vulnerable.”— Theodore Roethke “Above all, keep loving one another earnestly, since love covers a multitude of sins.”— 1 Peter 4:8
"Love means never having to say you're sorry" is a catchphrase based on a line from the Erich Segal novel Love Story and was popularized by its 1970 film adaptation starring Ali MacGraw and Ryan O'Neal. The line is spoken twice in the film: once in the middle of the film, by Jennifer Cavalleri (MacGraw's character), when Oliver Barrett (O'Neal ...
The song was originally recorded during the sessions for Ten with the possible intention of appearing in the film Singles. [2] Ament said, "The version of 'State of Love and Trust' with Dave Krusen on drums is so much better than what ended up being released," [3] and added, "He really
"Something's Gotta Give" is a popular song with words and music by Johnny Mercer in 1954. [1] It was published in 1955.It was written for and first performed by Fred Astaire in the 1955 musical film Daddy Long Legs, and was nominated the same year for an Academy Award for Best Original Song, losing to "Love is a Many Splendored Thing" from the film of the same name.
These relationship quotes span early love, falling in love, long-distance relationships, happy marriages, and couples with a good sense of humor. ... “Give all to love; Obey thy heart ...
Same with Dylan." The song is an early example of John self-reflecting in his writing, which had begun with songs such as "I'm a Loser" in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. [2] The song "is just basically John doing Dylan", Paul McCartney confirmed. [3]
The song was Andy Gibb's fifth single to reach the US Top 10; the single reached No. 9 on the Billboard Hot 100 chart and No. 2 on the Adult Contemporary chart. [1] When Andy Gibb was going to record it, Barry reworked on the song adding the middle eight that was not on the original Bee Gees' version, [2] as Blue Weaver recalls, "When Andy actually went to record it, Barry listened to it [the ...