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"I Could Not Ask for More" is a song composed by American songwriter Diane Warren and originally recorded and released in February 1999, by American singer-songwriter Edwin McCain for the original soundtrack of the 1999 romantic drama film Message in a Bottle, starring Kevin Costner, Robin Wright Penn and Paul Newman.
Charlie Parker: A "I Got Rhythm" B "Honeysuckle Rose" A 1929 B 1930 A George Gershwin. B Fats Waller "Meteor" [13] 1956: Tal Farlow "Confirmation" 1946: Charlie Parker "Minor March" [1] Jackie McLean "Love Me or Leave Me" 1928 Walter Donaldson "Minor's Holiday" [1] Kenny Durham "Love Me or Leave Me" 1928 Walter Donaldson "Mirror Lake" [citation ...
It is available for E-flat, B-flat, C and bass-clef instruments. It includes 60 pieces, transcribed by Ken Slone with proofreading assistance from Jamey Aebersold, [1] information about the records, and practice suggestions. The Charlie Parker Omnibook is published by Hal Leonard LLC. [2] Charlie Parker (1920–1955) was one of the pioneers of ...
3. Prince. Like many people on this list, Prince made up for not being able to read sheet music by having an unusually good ear for melody and an intuitive sense of what chord should go where. He ...
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
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The chord-scale system may be compared with other common methods of improvisation, first, the older traditional chord tone/chord arpeggio method, and where one scale on one root note is used throughout all chords in a progression (for example the blues scale on A for all chords of the blues progression: A 7 E 7 D 7).