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Kerplunk (stylized as Kerplunk!) [nb 1] is the second studio album by the American rock band Green Day, released on December 17, 1991, by Lookout! Records.Following a US tour promoting their debut studio album 39/Smooth (1990), drummer John Kiffmeyer left to attend college and was replaced by Tré Cool, formerly of the Lookouts.
File:Green Day - 1,039-Smoothed Out Slappy Hours cover.jpg; File:Green Day and the cast of American Idiot - 21 Guns cover.jpg; File:Green Day - 21 Guns Live EP cover.jpg; File:Green Day - 21st Century Breakdown cover.jpg; File:Green Day - 21st Century Breakdown single cover.jpg; File:Green Day - 39-Smooth cover.jpg
The album placed Green Day at the forefront of the 1990s punk rock revival. [5] Insomniac, the band's fourth studio album, was released in October 1995. While not as successful as Dookie, the album managed to peak at number two on the US Billboard 200 and received a double platinum certification from the Recording Industry Association of ...
39/Smooth is the debut studio album by the American rock band Green Day, released on April 13, 1990, by Lookout Records.After finalizing their line-up, the band played frequent shows at the 924 Gilman Street venue, where they started attracting a following and eventually caught the attention of Lookout Records' founder Larry Livermore.
1,039/Smoothed Out Slappy Hours is a compilation album comprising early recordings by American rock band Green Day, released October 1, 1991, on Lookout Records.Often erroneously referred to as the band's debut album, the compilation combines the band's actual debut 39/Smooth (1990) and its first two EPs 1,000 Hours (1989) and Slappy (1990) (all currently out of print), as suggested by the ...
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Some album covers prove controversial due to their titles alone. When the Sex Pistols released Never Mind The Bollocks… in 1977, a record shop owner in Nottingham named Chris Searle was arrested ...
"Welcome to Paradise" is a song by the American rock band Green Day. It first appeared as the third track on the band's second studio album, Kerplunk (1991). It was re-recorded and rereleased as the fifth track on the band's third studio album, Dookie (1994), and released as the album's third single.