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Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
Pan-African colours is a term that may refer to two different sets of colours: Green , yellow and red , the colours of the flag of Ethiopia , have come to represent the pan-Africanist ideology due to the country's history of having avoided being taken over by a colonial power.
Since their culture sees the color as a symbol of life and health, sick people are also painted with it. Like most Central African cultures, the Ndembu see red as ambivalent, better than black but not as good as white. [8] In other parts of Africa, however, red is a color of mourning, representing death. [9]
Samples of recorded Adinkra symbols. Adinkra are symbols from Ghana that represent concepts or aphorisms. Adinkra are used extensively in fabrics, logos and pottery. They are incorporated into walls and other architectural features. Adinkra symbols appear on some traditional Akan goldweights. The symbols are also carved on stools for domestic ...
The Universal Negro Catechism, published by the UNIA in 1921, refers to the colors of the flag meaning: [11] Red is the color of the blood which men must shed for their redemption and liberty; black is the color of the noble and distinguished race to which we belong; green is the color of the luxuriant vegetation of our Motherland.
Basic Color Terms: Their Universality and Evolution (1969; ISBN 1-57586-162-3) is a book by Brent Berlin and Paul Kay. Berlin and Kay's work proposed that the basic color terms in a culture, such as black, brown, or red, are predictable by the number of color terms the culture has. All cultures have terms for black/dark and white/bright.
Africa's many diverse countries are sources of vibrant design with African design influences visible in historical and contemporary art and culture around the world. The study of African design is still limited, particularly from the viewpoint of Africans, and the opportunity to expand its current definition by exploring African visual ...
Africana: The Encyclopedia of the African and African-American Experience edited by Henry Louis Gates and Anthony Appiah (Basic Civitas Books 1999, 2nd ed. Oxford University Press, 2005, ISBN 978-0-19-517055-9) is a compendium of Africana studies including African studies and the "Pan-African diaspora" inspired by W. E. B. Du Bois' project of an Encyclopedia Africana.