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The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African-American clergymen and pastors began preaching in a charismatic, musical call-and-response style. [3]
Three of the best-known poems in the collection are "Praise for Creation and Providence", "Against Idleness and Mischief", and "The Sluggard". [3] "Praise for Creation and Providence" (better known as "I sing the mighty power of God") is now a hymn sung by all ages. [4] "
Patriotic and parlour songs, piano pieces, sacred music, and novelty numbers published from before 1900 to 1920. Includes Canadian imprints and music by Canadians or about Canada published anywhere in the world. Library and Archives Canada: The Library of Congress: Historic American Sheet Music: 1850–1920: American: 3,042
The song, as sung by the Corley Family (in a style that might be called "folk-primitive")can be heard on-line. [1] More recently it has been recorded by a number of different Gospel quartets, and it is still the theme song of the Stamps Quartet. A version of the song was recorded in 2000 by James Blackwood. [2]
Southern gospel music is a genre of Christian music.Its name comes from its origins in the southeastern United States.Its lyrics are written to express either personal or a communal faith regarding biblical teachings and Christian life, as well as (in terms of the varying music styles) to give a Christian alternative to mainstream secular music.
The song's origins are uncertain; however, its nearest known relative is the English folk song "The Twelve Apostles." [ 2 ] Both songs are listed in the Roud Folk Song Index as #133. Parallel features in the two songs' cumulative structure and lyrics (cumulating to 12 loosely biblical references) make this connection apparent.
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in Classical music theory.
"Steal Away" is a standard Gospel song, and is found in the hymnals of many Protestant denominations. An arrangement of the song is included in the oratorio A Child of Our Time, first performed in 1944, by the classical composer Michael Tippett (1908–98). Many recordings of the song have been made, including versions by Pat Boone [6] and Nat ...
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