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The following is a list of jazz albums, alphabetized by album titles. ... Angels and Demons at Play – Sun Ra; A.R.C. - Barry Altschul, Chick Corea & Dave Holland;
List of compilation albums, with details and certifications Title Artist Details Certifications; Birth of the Cool: Miles Davis Released: 1957; Recorded: January 21, 1949 – March 9, 1950
Chicago bassist Matt Ulery has played with a wide variety of artists, but this album is entirely comprised of music he composed, performed with an 11-piece band.
All Music Guide to Jazz: The Definitive Guide to Jazz is a non-fiction book that is an encyclopedic referencing of jazz music compiled under the direction of All Media Guide. The first edition, All Music Guide to Jazz: the Best CDs, Albums & Tapes , appeared in 1994 and was edited by Ron Wynn with Michael Erlewine and Vladimir Bogdanov (head of ...
1001 Albums You Must Hear Before You Die is a musical reference book first published in 2005 by Universe Publishing.Part of the 1001 Before You Die series, it compiles writings and information on albums chosen by a panel of music critics to be the most important, influential, and best in popular music between the 1950s and the 2010s. [1]
Eastwood After Hours: Live at Carnegie Hall is a two-disc live album by American actor Clint Eastwood and various jazz musicians. Released on April 29, 1997, by Warner Bros. Records, it compiles material from Eastwood's film scores—including Play Misty for Me (1971), Honkytonk Man (1982), Bird (1988), Thelonious Monk: Straight, No Chaser (1988), and White Hunter Black Heart (1990 ...
Capers (album) Casey Abrams (album) The Chamber Wind Music of Jack Cooper; Chapter Two (Roberta Flack album) Cheer Up (Ray Anderson, Han Bennink and Christy Doran album) Chinese Butterfly; A Christmas Song; Circuit City (album) Clinkers (album) Coast to Coast (McDonald's Jazz Band album) Coming Through Slaughter: The Bolden Legend; Common ...
The Smithsonian Collection of Classic Jazz is a six-LP box set released in 1973 by the Smithsonian Institution.Compiled by jazz critic, scholar, and historian Martin Williams, the album included tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz.