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Robert B. Nemiroff (October 29, 1929, New York City [1] – July 18, 1991) was an American theater producer and songwriter, and the husband of Lorraine Hansberry. [1]Nemiroff was a book editor and a music publisher, as well as an award-winning songwriter.
Lorraine Hansberry was the youngest of four children born to Carl Augustus Hansberry, a successful real-estate broker and Nannie Louise (born Perry), a driving school teacher and ward committeewoman. In 1938, her father bought a house in the Washington Park Subdivision of the South Side of Chicago , incurring the wrath of some of their white ...
Hansberry was best known for her 1959 play A Raisin in the Sun, the first show on Broadway written by an African-American woman. After her death in 1965, Hansberry's ex-husband and friend, songwriter and poet Robert Nemiroff , collated her unpublished writings and adapted them into a stage play that first ran from 1968 to 1969 off Broadway.
The playwright Lorraine Hansberry was near death at age 34 when “The Sign in Sidney Brustein’s Window” premiered on Broadway, for a three-month run that ended with her passing in 1965. Set ...
In Equal, the ambitious HBO Max docuseries that recounts the impact of many, wide-ranging LGBTQ+ visionaries, not only does Pose star Billy Porter narrate their stories, but today’s most notable ...
Chaos ensues in his marriage and personal relationships and raises questions about Bohemian culture, Judaism, race, suicide, homosexuality, political corruption, interracial love, and prostitution. The play premiered October 15, 1964 and received mixed reviews. Hansberry, who was ill at the time, died before the end of its run.
The New York City home of indelible playwright and activist Lorraine Hansberry is now officially listed on the National Register... View Article The post Lorraine Hansberry residence is now listed ...
The film generally received positive press. Kelinda Graves in Black Film wrote “the Hansberry documentary is chic… très chic. It is glossy and gutsy in the same way that Hansberry was.” [3] Dwight Brown in The Huffington Post said “All facets of Lorraine Hansberry’ public life, private romances and early death are on view in this beguiling, illuminating and perfectly assembled ...
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