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The following outline is provided as an overview of and topical guide to the history of painting: . History of painting – painting is the production of paintings, that is, the practice of applying paint, pigment, color or other medium to a surface (support base, such as paper, canvas, or a wall) with a brush, although other implements, such as knives, sponges, and airbrushes, can be used.
In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, to important monasteries , as well ...
An integrated outline is a helpful step in the process of organizing and writing a scholarly paper (literature review, research paper, thesis or dissertation). When completed the integrated outline contains the relevant scholarly sources (author's last name, publication year, page number if quote) for each section in the outline.
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
The following outline is provided as an overview of and topical guide to the visual arts: Visual arts – class of art forms , including painting , sculpture , photography , printmaking and others, that focus on the creation of works which are primarily visual in nature.
A History of Six Ideas: An Essay in Aesthetics. Translated by Christopher Kasparek (from the Polish). The Hague: Martinus Nijhoff. ISBN 9789024722334. OCLC 5171592. The book traces the history of key aesthetics concepts, including art, beauty, form, creativity, mimesis, and the aesthetic experience. Weber, Michel (2006).
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Non-English language titles are generally only to be used if they are used by most art historians or critics writing in English – e.g. Las Meninas or Les Demoiselles d'Avignon. In that case they should be used in the form used by most art historians writing in English, regardless of whether this is actually correct by the standards of the ...