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A musical form in which a certain section returns repeatedly, interspersed with other sections: ABACA is a typical structure or ABACABA roulade (Fr.) A rolling (i.e. a florid vocal phrase) rubato Stolen, robbed (i.e. flexible in tempo), applied to notes within a musical phrase for expressive effect ruhig (Ger.) Calm, peaceful run
After the coming of the legal music download, this term became commonplace to refer to a vinyl, CD or cassette single, which would previously have been referred to simply as a "single". Pipe organ Before smaller reed-based organs and harmoniums were invented, every organ used large pipes. Pirates of the Caribbean: The Curse of the Black Pearl
In a live music context, this is a slang term used by musicians to refer to the audio processing and amplification gear used by a keyboardist, bassist, or electric guitarist. An electric bassist, for example, may refer to her speaker cabinet, bass amplifier "head" and rack-mounted effects units collectively as her "rig" (or "bass rig"). rit.
Getty Images Detroit slang is an ever-evolving dictionary of words and phrases with roots in regional Michigan, the Motown music scene, African-American communities and drug culture, among others.
In honor of Black Twitter's contribution, Stacker compiled a list of 20 slang words it brought to popularity, using the AAVE Glossary, Urban Dictionary, Know Your Meme, and other internet ...
A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque music Segue: it follows: A smooth movement from one passage to another with ...
The locals of Cincinnati use slang terms and phrases that have been part of the local culture for so long, nobody stops to ask why. Once they move away from home, they realize they've been using ...
Retrograde was not mentioned in theoretical treatises prior to 1500. [2] Nicola Vicentino (1555) discussed the difficulty in finding canonic imitation: "At times, the fugue or canon cannot be discovered through the systems mentioned above, either because of the impediment of rests, or because one part is going up while another is going down, or because one part starts at the beginning and the ...