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Jump5 Video Director was a computer game released as a CD-ROM in November 2004. It was also included with copies of The Very Best of Jump5 in 2005. The game allowed the player to create a live Jump5 performance by synchronizing choreography and selecting stage elements and camera angles.
This is the discography of the Christian contemporary group Jump5. It consists of 7 studio albums, 22 singles, 4 video releases, 9 music videos, 5 compilation albums and 2 remix albums. It consists of 7 studio albums, 22 singles, 4 video releases, 9 music videos, 5 compilation albums and 2 remix albums.
The Cliff Richard and the Shadows version [9] also known as "Do You Wanna Dance" was released in the United Kingdom as the B-side of "I'm Lookin' Out the Window" in May 1962.. However, like seven other Cliff Richard singles released between 1959 and 1963, the B-side received a good amount of airplay and made the New Musical Express UK singles chart in its own rig
Jump to content. Main menu. ... The Beach Boys tribute albums (9 P) S. Songs about the Beach Boys (3 P) Pages in category "Musical tributes to the Beach Boys"
Start Dancin' with Jump5 was released on DVD on November 18, 2003. The DVD featured the group teaching the choreography for "Spinnin' Around", "All I Can Do", and "Do Ya". It also contained music videos from the group's previous DVD releases, including the music video for "Do Ya".
Jump5 was an American Christian teen pop group active from 1999 until 2007. [1] The group was made up of five members from Nashville: Brandon and Brittany Hargest, Chris Fedun, Lesley Moore, and Libby Hodges. After Libby Hodges left in 2004, Natasha Noack joined the group temporarily, but the group eventually set on with the four remaining members.
The Ultimate Collection is a compilation album by Christian pop group Jump5, released on April 7, 2009. [1] ... "Do Ya" Michelle Tumes: 3:09: 8. ... "Dance with Me ...
"Please Let Me Wonder" was the first song Wilson wrote under the influence of marijuana. [2] Wilson said that he produced the song "as a tribute to Phil Spector", [3] [4] although the arrangement, which highlights different, individual instruments throughout the song, was in direct contrast to the methods employed by Spector for his Wall of Sound.