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Maximum video resolution ISO range Dynamic range (at native/peak ISO) Shutter type Anamorphic shooting Internal filters Frame rate(s −1) Arri: Alexa [4] Alexa Plus 23.76 x 13.37 mm 1.52 Arri PL: SxS card, T-link recorder (optional XR module upgrade) [5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card) 12-bit ARRIRAW (T-link recorder or XR drive)
In June 2016, EBU announced the "Advanced 1080p" format [15] which will include UHD Phase A features such as high-dynamic-range video (using PQ and HLG) at 10 and 12 bit color and BT.2020 color gamut, and optional HFR 100, 120/1.001 and 120 Hz; an advanced 1080p video stream can be encoded alongside baseline HDTV or UHDTV signal using Scalable ...
As technology improved, out-of-studio video recording was possible with compact video cameras and portable video recorders; a detachable recording unit could be carried to a shooting location. Although the camera itself was compact, the need for a separate recorder made on-location shooting a two-person job. [3]
Modern digital television camera with a DIGI SUPER 86II xs lens from Canon. A professional video camera (often called a television camera even though its use has spread beyond television) is a high-end device for creating electronic moving images (as opposed to a movie camera, that earlier recorded the images on film).
High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for high-definition , generally any video image with considerably more than 480 vertical scan lines (North America) or 576 vertical lines (Europe) is considered high-definition.
Not standardized, and not a real video file in the classical meaning since it merely references the real video file (e.g. a .webm file), which has to exist separately elsewhere. A .gifv "file" is simply a HTML webpage which includes a HTML video tag, where the video has no sound. As there were large communities online which create art using the ...
The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.
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