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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In literary criticism and rhetoric, a tautology is a statement that repeats an idea using near-synonymous morphemes, words or phrases, effectively "saying the same thing twice". [1] [2] Tautology and pleonasm are not consistently differentiated in literature. [3] Like pleonasm, tautology is often considered a fault of style when unintentional.
A story of romantic love, esp. one which deals with love in a sentimental or idealized way; a book, film, etc., with a narrative or story of this kind. Also as mass noun: literature of this kind. Overlap is also sometimes found between the above terms, when literary romance also contains a strong love interest.
Rather than modeling writing as a creative process, the love letter algorithm represents the writing of love letters as formulaic and without creativity. [8] The algorithm has the following structure: Print two words taken from a list of salutations; Do the following 5 times: Choose one of two sentence structures depending on a random value Rand
Unrequited love has long been depicted as noble, an unselfish and stoic willingness to accept suffering. Literary and artistic depictions of unrequited love may depend on assumptions of social distance that have less relevance in western, democratic societies with relatively high social mobility and less rigid codes of sexual fidelity.
Īhām, ambiguity used as a literary device in Middle Eastern poetry-onym, suffix denoting a class of names; Oxymoron, contradiction used as a figure of speech; Semantics; Skunked term, a term that becomes difficult to use because it is evolving from one meaning to another, or is otherwise controversial
Oxymorons in the narrow sense are a rhetorical device used deliberately by the speaker and intended to be understood as such by the listener. In a more extended sense, the term "oxymoron" has also been applied to inadvertent or incidental contradictions, as in the case of "dead metaphors" ("barely clothed" or "terribly good").
Contrast is the antonym of simile. In poetic compositions, it is common for poets to set out an elaborate contrast or elaborate simile as the argument. For example, John Donne and the metaphysical poets developed the conceit as a literary device, where an