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Ada Dietz (1882 – 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines weaving patterns based on the expansion of multivariate polynomials. [9] J. C. P. Miller used the Rule 90 cellular automaton to design tapestries depicting both trees and abstract patterns of triangles. [10]
Pin weaving is a form of small-scale weaving traditionally done on a frame made of pins; the warp and weft are wrapped around the pins. Pin-woven textiles have a selvage edge all the way around. [1] Pin looms were popular from the 1930s to the 1960s. [1] Quite elaborate patterns were published, especially in the 1930s. [2]
Ada K. Dietz (left) and Ruth E. Foster (right) weaving on Lou Tate Little Looms at the Little Loomhouse, Louisville, KY, circa late 1940s. Ada K. Dietz (October 7, 1888 – January 12, 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines a novel method for generating weaving patterns based on algebraic patterns.
Supplementary weaving is a decorative technique in which additional threads are woven into a textile to create an ornamental pattern in addition to the ground pattern. The supplementary weave can be of the warp or of the weft. [ 1 ]
Swivel weaving is a decorative technique that involves producing intricate designs on other weaves, such as a basic plain weave structure [3] or satin. [1] In swivel weaving, the weft yarns are used to create patterns on the fabric. The weft threads are interlaced with the warp threads in a specific order to produce the desired pattern on the ...
[3]: unnumbered [5] The collection is a nearly complete representation of every Churchill Weavers product and weave pattern, with a fabric archive that contains more than 30,000 textiles. The collection also contains warping cards, design books and construction notes dating to the 1920s; sales brochures and catalogs; business records and ...
Binakael (binakel, binakol, binakul [1]) (transliterated, "to do a sphere") is a type of weaving pattern traditional in the Philippines. Patterns consisting entirely of straight lines are woven so as to create the illusion of curves and volumes. [2] A sense of motion is also sought. [3] Designs are geometric, but often representational.
This is a particular type of stitched relief, where the pattern is formed from the countless grains incorporated into the cloth during weaving. These are made by twisting the weft yarn around a needle which is arranged in a horizontal position on the loom ; after the thread is beat into place, the needle is then pulled away, leaving behind a ...
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