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One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
The firm of James Powell and Sons, also known as Whitefriars Glass, were London-based English glassmakers, leadlighters and stained-glass window manufacturers. As Whitefriars Glass, the company existed from the 18th century, but became well known as a result of the 19th-century Gothic Revival and the demand for stained glass windows.
While most of the work of Wailes' workshop is to be found in the North of England, other commissions came from further afield. The most significant window glazed by the firm, and one of the prize commissions of the industry, was the glazing of the west window of Gloucester Cathedral, an enormous window of c.1430 in the Perpendicular Gothic style, of nine lights and four tiers.
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
At Truro they were commissioned by John Loughborough Pearson to design windows for the new Cathedral, and of these windows it is claimed "The stained glass which was made by Clayton and Bell is thought to be the finest Victorian stained glass in England and tells the story of the Christian Church, starting with the birth of Jesus and finishing ...
The Edward Brooke Memorial Window stood above the altar for 110 years. It is now in the collection of the Smith Museum of Stained Glass Windows in Chicago, Illinois. [18] The pipe organ was cannibalized for parts. [19] The church property was sold to another congregation in 2005, and is now the New First Baptist Church of Birdsboro. [20]
Charles Eamer Kempe (29 June 1837 – 29 April 1907) was a British Victorian era designer and manufacturer of stained glass.His studios produced over 4,000 windows and also designs for altars and altar frontals, furniture and furnishings, lychgates and memorials that helped to define a later nineteenth-century Anglican style.
Also the stained glass in the east window of the Parish Church of St Mary Magdalene, Gillingham. [4] Other windows by this firm are in Wimborne Minster 1857, Peterborough Cathedral 1864 and St Mary's Parish Church, Hampton c1888. A documentary film, Stained Glass Masters: Heaton, Butler and Bayne, was produced in 2000 by the film maker Karl ...
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