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Etruscan sculpture was one of the most important artistic expressions of the Etruscan people, who inhabited the regions of Northern Italy and Central Italy between about the 9th century BC and the 1st century BC. Etruscan art was largely a derivation of Greek art, although developed with many characteristics of its own. [1]
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, they shared a linear style learned from the Ionian Greeks of the Archaic period, showing scenes from Greek mythology, daily life, funeral games, banquet scenes with musicians ...
Over this period the remaining Etruscan cities were all gradually absorbed into Roman culture, and, especially around the 1st century BC, the extent to which art and architecture should be described as Etruscan or Roman is often difficult to judge. Distinctive Etruscan types of object gradually ceased to be made, with the last painted vases ...
The Romans looked for common ground between their major gods and those of the Greeks, adapting Greek myths and iconography for Latin literature and Roman art. Etruscan religion was also a major influence, particularly on the practice of augury, since Rome had once been ruled by Etruscan kings.
Roman temples and houses were closely based on Etruscan models. Elements of Etruscan influence in Roman temples included the podium and the emphasis on the front at the expense of the remaining three sides. Large Etruscan houses were grouped around a central hall in much the same way as Roman town Large houses were later built around an atrium.
Etruscology is the study of the ancient civilization of the Etruscans in Italy , which was incorporated into an expanding Roman Empire during the period of Rome's Middle Republic. Since the Etruscans were politically and culturally influential in pre-Republican Rome , many Etruscologists are also scholars of the history , archaeology , and ...
A trove of bronze statues that archeologist say could rewrite the history of Italy's transition to the Roman Empire have been discovered. Ancient Etruscan statues illuminate history of pre-Roman Italy
The Orator, also known as L'Arringatore (), Aule Meteli or Aulus Metellus (), is an Etruscan bronze sculpture from the late second or the early first century BC. [1] Aulus Metellus was an Etruscan senator in the Roman republic, originally from Perugia or Cortona. [2]