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The sonata is now a part of the standard repertoire for clarinet and others outside of the clarinet world have embraced the piece. In 1994 it was orchestrated by Sid Ramin so that it can be played by a solo clarinet with orchestral accompaniment. [7] Yo-Yo Ma has arranged this work for cello and piano. [8]
These Konzertstücke are virtuoso concertante works, but the Sonata in E-flat major, written by Mendelssohn in 1824, when he was only 15, is genuine chamber music: the clarinet and the piano are both used equally as a melody and an accompaniment instrument, but the demands on the clarinettist are far more modest than in opp. 113 and 114.
Sergei Prokofiev: Sonata for Clarinet and Piano, Op.94 (1943), originally for flute, also arranged for violin; Mario Castelnuovo-Tedesco: Sonata for Clarinet and Piano, Op. 128 (1945) Nino Rota: Sonata in D major for Clarinet and Piano (1945) Mieczysław Weinberg: Sonata for Clarinet and Piano, Op. 28 (1945) Herbert Howells: Clarinet Sonata ...
One of Debussy's first duties was to supply two works for the next year's clarinet examinations. The Rhapsodie was first performed as part of the examinations on July 14, 1910. [1] The original composition was for clarinet and piano; Debussy published his own orchestration of the accompaniment in 1911, after the official premiere with Mimart. [2]
The Sonate pour clarinette et piano (Clarinet Sonata), FP 184, for clarinet in B-flat and piano by Francis Poulenc dates from 1962 and is one of the last pieces he completed. It is dedicated to the memory of Arthur Honegger, who like Poulenc had belonged to the group Les Six. A typical performance takes 12–14 minutes.
Aforismos de Apollinaire for clarinet and piano; Prelude No. 1 for bandoneon; Cuatro piezas breves for strings; Elegía para clarinete solo for clarinet solo; 1958. Anagrama for vocal soloists, speaking choir and chamber ensemble; 1959. Transición II for piano, percussion and two tape recorders; 1960. Transición I for electronic sounds
The Grand Duo Concertant, Opus 48, J204, is a three-movement work for clarinet and piano composed by Carl Maria von Weber from 1815 to 1816. It is a virtuosic piece for both instruments. [ 1 ] Weber most likely composed the work for himself (on piano) and his friend Heinrich Baermann , a leading clarinettist of the era, although it has also ...
The clarinet gets a chance to play the sixteenth notes that the piano had before the modulation to E major. The A melody returns in the piano in the “wrong” key of E major, moves to C major, and finally back to the A ♭ major. The A section is then restated in its entirety with a more active piano accompaniment.
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