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Two turntables and a microphone" is the basic concept of a DJ's equipment. This phrase describes turntables (phonographs) and a microphone connected to a mixer. The DJ uses the mixer's crossfader to fade between two songs playing on the turntables. Fading often includes beatmatching. Live hip hop music also often has an MC rapping into
Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic "scratching" effect which is ...
A subtype of cueing is slip cueing. To slip cue a record, there has to be a felt mat under the record. The DJ finds the desired start point and then leaves the stylus at the start point while holding the side of the record, with the turntable spinning. The DJ can then release the record and the music will start immediately. [3]
In some cases, a live drummer was hired to play beats between songs to maintain the dance floor. In 1955, Bob Casey , a well-known "sock hop" DJ, brought the two-turntable system to the U.S. [ 6 ] In the Black community, Stations such as WLAC in Nashville began playing rhythm and blues records, and in 1948, Memphis radio station WDIA began its ...
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Grandmaster Flash perfected this technique where he could play the break on one record while searching for the same fragment of music on the other with the aid of his headphones. When the break finished on one turntable, he used his mixer to switch quickly to the other turntable, where the same beat was cued up and ready to play.
It supplied turntables and autochangers to many of the world’s record player manufacturers, eventually gaining 87% of the market. The company also manufactured their own brand of player, the Monarch automatic record changer, which could select and play 7", 10" and 12" records at 16, 33 1 ⁄ 3 , 45 or 78 rpm, automatically intermixing ...
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