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This African textile is used to weave the Ghanaian Smock. Queens, princesses and women of Dagbon wear the Chinchini. The weaving of the chinchini is done by the 'Kpaluu', one of the traditional professional in the Dagbon society that has existed until today. The smock made from the Chinchini of Dagbon is the most worn traditional cloth of Ghana.
A 1979 quilt by Lucy Mingo of Gee's Bend, Alabama. It includes a nine-patch center block surrounded by pieced strips. The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River.
Story quilts have much in common with pictorial quilts and the tradition of African-American quiltmakers and are often made as a form of quilt art. Usually adorned with extensive text and accompanying imagery, story quilts can contain short stories, poems, or extended essays and can be used as an alternative form of a picture book . [ 23 ]
By 1860, Afghan as a noun, not an adjective, denoted a type of handicrafted object shown at state fairs and other exhibitions, [4] along with patchwork and knitted quilts, and was being mentioned in novels: [5]
Harriet Powers, an African American woman born into slavery, made two famous "story quilts" and was one of the many African-American quilters who contributed to the development of quilting in the United States. This style of African-American quilts was categorized by its bright colors, organization in a strip arrangement, and asymmetrical patterns.
Whole-cloth quilt, 18th century, Netherlands.Textile made in India. In Europe, quilting appears to have been introduced by Crusaders in the 12th century (Colby 1971) in the form of the aketon or gambeson, a quilted garment worn under armour which later developed into the doublet, which remained an essential part of fashionable men's clothing for 300 years until the early 1600s.
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