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A short story is a piece of prose fiction.It can typically be read in a single sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a single effect or mood.
Narrative exposition, now often simply exposition, is the insertion of background information within a story or narrative.This information can be about the setting, characters' backstories, prior plot events, historical context, etc. [1] In literature, exposition appears in the form of expository writing embedded within the narrative.
A backstory, background story, background, or legend is a set of events invented for a plot, preceding and leading up to that plot. In acting, it is the history of the character before the drama begins, and is created during the actor's preparation. [1] [2] These terms are also used in espionage.
The second form exists as the cultural and historical background in which the narrative resides. Past events that have impacted the cultural background of characters or locations are significant in this way. The third form of a setting is a public or private place that has been created/maintained and/or resided in by people.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
The story itself is considered a performance so there is a synergy among the aforementioned elements. [1] In the story, the narrator may draw attention to the narrative or to himself as storyteller. [2] The structure often includes the following: Tell riddles to test the audience. Audience becomes a chorus and comments on the story.
The first word of the story, "True!", is an admission of their guilt, as well as an assurance of reliability. [10] This introduction also serves to gain the reader's attention. [13] Every word contributes to the purpose of moving the story forward, exemplifying Poe's theories about the writing of short stories. [14]
When he became a writer of short stories, he retained this minimalistic style, focusing on surface elements without explicitly discussing underlying themes. Hemingway believed the deeper meaning of a story should not be evident on the surface, but should shine through implicitly.