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The magazine Police Review argued that the mods and rockers' purported lack of respect for law and order could cause violence to "surge and flame like a forest fire". [ 7 ] As a result of this media coverage, two British members of parliament travelled to the seaside areas to survey the damage, and MP Harold Gurden called for a resolution for ...
The mods and rockers conflict led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures, [5] in which he examined media coverage of the mod and rocker riots in the 1960s. [6] By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia.
Mods and Rockers is a 1964 British short film directed by Kenneth Hume and produced by Anglo-Amalgamated. [1] It features the Western Theatre Ballet company based on their ballets "Mods and Rockers" and "Non-Stop". They also perform a dance to Beatles compositions.
Mods were obsessed with new fashions such as slim-cut suits; and music styles such as modern jazz, rhythm and blues, soul, ska, and some beat music. Many of them rode scooters. The mod and rude boy cultures both influenced the skinhead subculture of the late 1960s. The skinheads were a harder, more working class version of mods who wore basic ...
Articles related to the Mod subculture, which began in London and spread throughout Great Britain and elsewhere, eventually influencing fashions and trends in other countries, [1] and continues today on a smaller scale.
The mod revival is a subculture that started in the United Kingdom in the late 1970s and later spread to other countries (to a lesser degree).. The Mod Revival started with disillusionment with the punk scene when commercialism set in. [citation needed] It was featured in an article in Sounds music paper in 1976 and had a big following in Reading/London during that time.
The name "rocker" came not from music, but from the rockers found in 4-stroke engines, as opposed to the two stroke engines used by scooters and ridden by mods. [citation needed] During the 1950s, [9] they were known as "ton-up boys" because doing a ton is English slang for driving at a speed of 100 mph (160 km/h) or over.
The Kinks in 1967. Already heralded by Colin MacInnes' 1959 novel Absolute Beginners which captured London's emerging youth culture, [10] Swinging London was underway by the mid-1960s and included music by the Beatles, the Rolling Stones, the Kinks, the Who, Small Faces, the Animals, Dusty Springfield, Lulu, Cilla Black, Sandie Shaw and other artists from what was known in the US as the ...