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The Harold Pinter Theatre, known as the Comedy Theatre until 2011, [1] is a West End theatre, and opened on Panton Street in the City of Westminster, on 15 October 1881, as the Royal Comedy Theatre. It was designed by Thomas Verity and built in just six months in painted ( stucco ) stone and brick. [ 2 ]
In September 2011, British Theatre owners, Ambassador Theatre Group (ATG) announced it was renaming its Comedy Theatre, Panton Street, London to become The Harold Pinter Theatre. Howard Panter, Joint CEO and Creative Director of ATG told the BBC, "The work of Pinter has become an integral part of the history of the Comedy Theatre. The re-naming ...
Ticket Machine Group, a long established ticket agency, was acquired by ATG in 2013. ... Harold Pinter Theatre: London: 2000: 836: Part of the ACT Theatres deal ...
On 11 October 2023, it was announced that the play would make its world premiere at the Harold Pinter Theatre in London's West End.The show is scheduled to run for a strictly limited run from 27 January to 15 June 2024.
The play made its West End premiere in 2022, at the Harold Pinter Theatre, with Jodie Comer starring as Tessa, [12] directed by Justin Martin. It ran from 15 April-18 June. [13] English singer-songwriter Self Esteem composed the soundtrack for the West End production, which she digitally released on 14 June 2022. [14]
Sunny Afternoon is a jukebox musical with music and lyrics by Ray Davies and a book by Joe Penhall.Based on the formation and career of the English rock band The Kinks, the musical was commissioned and produced by Sonia Friedman and made its world premiere in 2014 at the Hampstead Theatre, London, before transferring to the West End's Harold Pinter Theatre.
Old Times is a play by Harold Pinter. [1] It was first performed by the Royal Shakespeare Company at the Aldwych Theatre in London on 1 June 1971. It starred Colin Blakely, Dorothy Tutin, and Vivien Merchant, and was directed by Peter Hall.
The Lover is a 1962 one-act play by Harold Pinter, originally written for television, but subsequently performed on stage. [1] The play contrasts bourgeois domesticity with sexual yearning.
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