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Original 120, 620 and modern 120 film spools with modern 120 exposed color film. 120 is a film format for still photography introduced by Kodak for their Brownie No. 2 in 1901. . It was originally intended for amateur photography but was later superseded in this role by 135 film. 120 film survives to this day as the only medium format film that is readily available to both professionals and ...
Introduced by Kodak in the 1956, [1] C-22 is an obsolete process for developing color film, superseded by the C-41 process in 1972 for the launch of 110 film and in 1974 for all other formats. [ 2 ] The development of the film material is carried out at temperatures of around 75°F (24°C), making the process incompatible with the more modern C ...
135, 120 Film Washi 'W' available: SP: 25: B&W: Print: Orthochromatic film hand coated in France on Japanese Kozo paper with a fibre effect. 135 limited to 16 exp [51] France: 135, 120, Sheet film Film Washi 'Y' available: SP: 100: B&W: Print: Described as 'W 2.0' Orthochromatic film hand coated in France on Japanese Kozo paper with a fibre ...
C-41 is a chromogenic color print film developing process introduced by Kodak in 1972, [1] superseding the C-22 process.C-41, also known as CN-16 by Fuji, CNK-4 by Konica, and AP-70 by AGFA, is the most popular film process in use, with most, if not all photofinishing labs devoting at least one machine to this development process.
Various brands of sealed 120 negative and transparency roll films. The most popular roll film format is 120 film, which is used in most medium format cameras and roll film magazines for large-format cameras. Until the 1950s, 120 roll film was, with the smaller 127 film, also used in the simplest of box cameras and other snapshot cameras.
Adox was a German camera and film brand of Fotowerke Dr. C. Schleussner GmbH of Frankfurt am Main, the world's first photographic materials manufacturer. In the 1950s it launched its revolutionary thin layer sharp black and white kb 14 and 17 films, referred to by US distributors as the 'German wonder film'. [1]
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The user begins by opening the film canister (in the case of 35 mm film) or separating the film from a paper backing (in the case of medium format film, e.g. 120/220 format). The film is then loaded onto a film reel in a completely dark environment; this can be a light-tight room or a changing bag. Care must be taken during this step, as ...