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The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
In 1803, Franz Xaver Kleinheinz arranged the serenade for flute (or violin) and piano. Beethoven checked and approved this arrangement and it was printed as his Op. 41. [ 1 ] Similar to his Septet of the same period, the work had great popular appeal and was profitable for the young composer.
Violin Sonata in A minor, Op. 7 (published 1887) (Not mentioned in the list of works linked to in the article but recorded on Troubadisc [20] and noted in published articles- Dale's in Oct. 1949 Music & Letters.) Louis Spohr. Sonata for Violin and Harp in B-flat major, Op. 16; Sonata for Violin and Harp in E-flat major, Op. 113
Violin Sonata No. 10 in G, Op. 96 Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
Title page of 12 Fantasias for Solo Violin. Georg Philipp Telemann's collection of 12 Fantasias for Solo Violin, TWV 40:14–25, was published in Hamburg in 1735. It is one of Telemann's collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in 1732–33, as well as a set of twelve ...
Words Untold & Dreams Unlived was released on April 27, 2007, in Europe and on May 8 in North America.The album was then released in Russia and Japan.The album contains 10 tracks, including songs that appeared on Serenity's demo album Engraved Within (tracks 5, 6, 8, and 10).
David Ludwig – Violin Concerto No. 2: Paganiniana, (2018) for violin and Pierrot Ensemble; Witold Lutosławski – Variations on a Theme by Paganini, for two pianos (1940–41) or for piano and orchestra (1978) Yngwie Malmsteen – used the main theme for an interlude on electric guitar on the song Prophet of Doom, from his album War to End ...
It then transitions back to the main theme with the solo violin playing a different melody on top of the orchestra. The first movement is 10–11 minutes long. The rondo finale is based on a minuet theme which recurs several times. In the middle of the movement the meter changes from 3 4 to 2 4 and a section of "Turkish music" is played.