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The đàn bầu (Vietnamese: [ɗàːn.ɓə̀w]; "gourd zither"; Chữ Nôm: 彈匏), also called độc huyền cầm (獨絃琴, "one-string zither"; the name is only used by the Jing ethnicity in China) is a Vietnamese stringed instrument, in the form of a monochord (one-string) zither.
Đàn bầu - monochord zither: often tuned C3, though tuning varies; Đàn đáy - long-necked three-stringed lute with trapezoidal body: tuned G3 C4; Đàn nguyệt (also called nguyệt cầm, đàn kìm or Quân tử cầm) - moon-shaped two-string lute: no fixed tuning; strings are tuned a 4th, 5th, or 7th (minor), derived from the Chinese yueqin
Phạm Thị Huệ (born 31 August 1973, in Cẩm Phả Town, Quảng Ninh Province) is a Vietnamese đàn bầu, đàn đáy, and đàn tỳ bà player, singer, composer and educator. She is the founder and owner of the Thăng Long Ca trù Theater in the Hanoi historic district and has become a leading exponent in the revival of ca trù [ 1 ...
The girl on the far right is playing the đàn tỳ bà. The đàn tỳ bà or đàn tì bà (Vietnamese: [ɗàːn tì ɓàː], Chữ Nôm: 彈琵琶) is a Vietnamese traditional plucked string instrument derived from the Chinese pipa, [1] That first gained popularity in China before spreading throughout East Asia, eventually reaching Vietnam sometime during the Trần dynasty.
Chèo uses at least three string instruments including đàn nguyệt, đàn nhị, and đàn bầu, in addition to flutes, drums and cymbals. The percussion section consists of big drums, small drums, cylindrical drums, gong, bamboo and tocsin. The small drum is used to maintain the pace, for dancers and notable singers.
Thanh Lam was one of the representatives of Red music Red music (Nhạc đỏ) is the common name of the revolutionary music (nhạc cách mạng) genre in Vietnam. This genre of music began soon after the beginning of the 20th century during the French colonial period, advocating for independence, socialism and anti-colonialism.
The đàn nhị (Vietnamese: [ɗâːn ɲîˀ], Chữ Nôm: 彈二), also called đàn cò, is a Vietnamese bowed string instrument with two strings. The word nhị means "two" in Sino-Vietnamese, and đàn means "instrument".
Nguyễn Thanh Tùng's family plays an important part in his performance and composition career. Thanh Tùng was born to Nguyen Thanh Son, a Vietnam War veteran and currently a photographer, and Pham Thi Duc Hoa, a tailor. In 1972, Mr.Son's squad was deployed in Quảng Trị and he got affected by Agent Orange ever since.