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Charulatha Mani is a leading Carnatic music vocalist and cine playback singer and with a huge fan following in India and abroad. Gifted with a rich, melodious voice, and amazing creativity she has a vast repertoire of compositions of various genres, and this has made her one of the most popular and renowned artistes of today.
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Revati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an audava rāgam (or owdava rāgam, meaning pentatonic scale). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes).
Ragam Tanam Pallavi (RTP) [1] is a form of singing in Carnatic music which allows the musicians to improvise to a great extent. It is one of the most complete aspects of Indian classical music, demonstrating the entire gamut of talents and the depth of knowledge of the musician.
However, there are only some combinations that are allowed. For instance, only Shatshruthi Ri can combine with Antara Gandhara and only Chathushruti Rishabha can combine with Sadharana and Antara Gandhara. Likewise, the same principle holds good for Dha and Ni.
Originally, Khamas was an upanga raga (uses only the notes in the parent scale). Later with the usage in javalis and other later compositions, the bhashanga type of Khamas came into use (using notes external to the scale). [1]
In Carnatic music, Neraval also known as Niraval or Sahitya Vinyasa is the elaboration and improvisation of melody for a particular line. Usually, just one or two lines of text from the song (from the anupallavi or charanam part of the kriti) are sung repeatedly, but with improvised elaborations. [1]
Composed only lyrics. Music is set by a few contemporary musicians; Suguna Purushothaman (1941–2015) Composed navagraha krithis in Tamil; T. V. Gopalakrishnan (b. 1932) T. R. Subramaniam (1929–2013) R. Ramachandran Nair (Thulasivanam - b. 1939) Composed only lyrics. Music is set by a few contemporary musicians; Sundaranarayana (1938-2013)