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Hits! The Very Best of Erasure is the second greatest hits album by English synth-pop duo Erasure, released on 20 October 2003 by Mute Records.Capitalising on a resurgence of Erasure's music after their successful covers album Other People's Songs, Mute released Hits! in order to reintroduce people to the duo's music and to give an update to their 1992 singles compilation Pop!
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The second single from the album was a cover of Steve Harley's "Make Me Smile (Come Up and See Me)", which made number 14 in the UK. In 2003, a new 'best of' compilation was released, called Hits! The Very Best of Erasure. Included was a new version of the 1986 song "Oh l'amour" — originally a commercial flop in the UK, this new version ...
The Eraser received mainly positive reviews; critics praised Yorke's vocals and lyrics, but found it weaker than his work with Radiohead. It was named one of the best albums of 2006 by NME, Rolling Stone and The Observer, and was nominated for the 2006 Mercury Music Prize and the 2007 Grammy Award for Best Alternative Music Album.
Cover version of the 1948 Cole Porter song from Kiss Me, Kate, included on the 1990 Porter tribute album Red Hot + Blue. "Looking Glass Sea" 1990 Appeared on the soundtrack to the film Dick Tracy. "Rage" 1991 Collaboration with Lene Lovich which appeared on the PETA benefit album Tame Yourself. "Rage" was originally a solo LP track for Lovich ...
Produced by David Foster, [1] it was featured in the 1996 film Eraser, in which Williams co-stars with Arnold Schwarzenegger, though not included on its soundtrack album. The song would later appear on Williams' 1998 greatest hits album Greatest Hits: The First Ten Years.
Self-consciously nerdy in an era of scuzzy post-grunge bluster, 1994's crisp and witty "Weezer" — soon to be known as the Blue Album because of its cover (and the fact that the band kept naming ...
Chorus is the fifth studio album by English synth-pop duo Erasure, released on 14 October 1991 by Mute Records in Germany and the UK and on 15 October 1991 by Sire/Reprise Records in the United States. In 1999, Ned Raggett ranked the album at number 45 in his list of "The Top 136 or So Albums of the Nineties".