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It is sometimes considered the first doo-wop or rock and roll record to reach the top ten on the pop charts (as opposed to the R&B charts), as it was a top-10 hit that year for both the Chords (who first recorded the song) and the Crew-Cuts. [2] In 2004, it was ranked No. 215 on Rolling Stone's "Top 500 Best Songs of All Time". [3]
The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]
Chords (or Jens Eric Resch Thomason; born 12 August 1978 in Lund) is a Swedish musician. He has his own studio and label called Svart Lax but was previously signed to Timbuktu 's label JuJu Records, together with J-Ro of The Alkaholiks among others.
Fera may refer to: Fera (band), a pop rock/singer-songwriter duo from Vancouver, British Columbia, Canada; Fera (constellation), old name for the southern constellation Lupus; Fera (fish), a local name for several fish species and the eponymous dish; Fera Airport, Fera Island, the Solomon Islands; Fera Island, an island in Isabel Province ...
The song begins with the line "Auf der Heide blüht ein kleines Blümelein" (On the heath a little flower blooms), the theme of a flower (Erika) bearing the name of a soldier's sweetheart. [2] After each line, and after each time the name "Erika" is sung, there is a three beat pause , which is filled by the timpani or stamping feet (e.g. of ...
From Under the Cork Tree is the second studio album by the American rock band Fall Out Boy, released on May 3, 2005, by Island Records as the band's major label debut. The music was composed by lead vocalist and rhythm guitarist Patrick Stump, with all lyrics penned by bassist Pete Wentz, expanding the band's songwriting approach they took for some songs on their debut album, Take This to Your ...
Eilish, 22, said some people were surprised to hear she was writing a song for the “Barbie” soundtrack, given her music’s usual darker edge.
Well-known examples of contrafacts in jazz include the Charlie Parker/Miles Davis bop tune "Donna Lee," which uses the chord changes of the standard "Back Home Again in Indiana" [2] or Thelonious Monk's jazz standard [3] "Evidence", which borrows the chord progression from Jesse Greer and Raymond Klages's song "Just You, Just Me" (1929). [4]