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Wolf Song [1] is a 1929 American sound part-talkie Western romance film directed by Victor Fleming and starring Gary Cooper and Lupe Vélez. [2] While the film has a few sequences with dialog, the majority of the film featured a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Show Boat is a 1929 American pre-Code sound part-talkie romantic drama film based on the 1926 novel Show Boat by Edna Ferber. The film initially did not use the 1927 stage musical of the same name as a source, but scenes were later added into the film incorporating two of the songs from the musical as well as other songs. Many of these songs ...
Woman to Woman is an all-talking sound 1929 British drama film with music directed by Victor Saville and starring Betty Compson, George Barraud and Juliette Compton. [1] It is an adaptation of the 1921 play Woman to Woman by Michael Morton which had already been made in 1923 into a now-lost film. [2]
Full film. Hallelujah is a 1929 American pre-Code Metro-Goldwyn-Mayer musical directed by King Vidor, and starring Daniel L. Haynes and Nina Mae McKinney.. Filmed in Tennessee and Arkansas and chronicling the troubled quest of a sharecropper, Zeke Johnson (Haynes), and his relationship with the seductive Chick (McKinney), Hallelujah was one of the first films with an all-African American cast ...
1960s; 1970s Subcategories. This category has the following 3 subcategories, out of 3 total. ... 1929 romantic drama films ... Say It with Songs; Scandal (1929 film ...
1960s; 1970s; Pages in category "1929 romantic drama films" The following 36 pages are in this category, out of 36 total. This list may not reflect recent changes. C.
A Song of Kentucky; Applause; The Battle of Paris; Blaze o' Glory; Broadway; Broadway Babies; The Broadway Hoofer; The Broadway Melody; Broadway Scandals; Close Harmony
A Romance of Seville is a 1929 British sound color drama film directed by Norman Walker and starring Alexander D'Arcy, Marguerite Allan and Cecil Barry. [1] This was the first British sound film released in colour, using the Pathéchrome stencil-colouring process. [ 2 ]