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The style is most commonly associated with the Celtic lands, but it was also practiced extensively in England and was exported to Europe by Irish and Northumbrian monastic activities on the continent. J. Romilly Allen has identified "eight elementary knots which form the basis of nearly all the interlaced patterns in Celtic decorative art". [4] [5]
The triquetra is often used artistically as a design element when Celtic knotwork is used, especially in association with the modern Celtic nations. The triquetra, also known as a "Irish Trinity Knot", is often found as a design element in popular Irish jewelry such as claddaghs and other wedding or engagement rings.
Celtic button knot – a spherical decorative knot; Chain sinnet – method of shortening a rope or other cable; Chain stitch – a sewing and embroidery technique in which a series of looped stitches form a chain-like pattern; Chair knot (Fireman's chair knot) – knot tied in the bight forming two adjustable, lockable loops
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Aidan Meehan is an Irish artist and author of 18 books on Celtic art and design. [1] [2] including the eight-volume Celtic Design series and Celtic Alphabets, Celtic Borders, The Book of Kells Painting Book, The Lindisfarne Painting Book and Celtic Knots, all published by Thames & Hudson
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A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...