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A Great Day in Harlem or Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958. [1] The idea for the photo came from Esquire ' s art director, Robert Benton , rather than Kane. [ 2 ]
Jazz Dance is a performance dance and style that arose in the United States in the early 20th century. [ 1 ] [ 2 ] Jazz Dance may allude to vernacular Jazz , Broadway or dramatic Jazz. The two types expand on African American vernacular styles of dance that arose with Jazz Music.
Buddy Bradley (July 24, 1905 – July 17, 1972) [1] was an African-American dancer and choreographer of the 1930s and later. [2] He worked for more than 20 years as an artist and teacher in England, where he became influential in the world of ballet, film, and theater.
Some of the most notable nicknames and stage names are listed here. Although the term Jazz royalty exists for "Kings" and similar royal or aristocratic nicknames, there is a wide range of other terms, many of them obscure. Where the origin of the nickname is known, this is explained at each artist's corresponding article.
Jewel McGowan, dancer of Lindy Hop, a form of swing dance, in the 1940s and 1950s. She is known among dance aficionados as the frequent partner of dancer Dean Collins. Jewel was considered by her fellow Los Angeles dancers to be the best female swing dancer who ever lived.
The black consciousness movement of the 1960s and 1970s as well as efforts by groups such as The Sacred Dance Guild fostered this dance form, [32] which draws on modern dance and jazz dance. Since the late 1980s gospel mime , in which texts and lyrics are acted out, has found some acceptance in black churches.
In doing so, Ford rewrote the cultural history of the dance form and set the stage for a pantheon of racist ideas that still animate modern white supremacist movements. Most Americans rightly ...
Jack Cole (born John Ewing Richter; April 27, 1911 – February 17, 1974) was an American dancer, choreographer, and theatre director known as "the Father of Theatrical Jazz Dance" [1] for his role in codifying African-American jazz dance styles, as influenced by the dance traditions of other cultures, for Broadway and Hollywood.
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