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Katherine Dunham was an anthropologist, choreographer, and pioneer in black theatrical dance who introduced isolations Jazz Dance. She created the Dunham technique, characterized by simple lines, torsos that move in different ways, and a greater variety of tempos and rhythms than most other Western dance styles of that time.
Similar to the iconic, black and white, jazz portrait A Great Day in Harlem [3] taken by Art Kane [4] in 1958 — THE JAZZ OF THE CITY ATLANTA 2007 photograph marked a great day in Atlanta jazz history and the 30th anniversary [5] of the Atlanta Jazz Festival. On April 16, 2007, 162 photos were taken by Seve "Obasina" Adigun [6] and Gregory ...
A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the ...
Jazz historian Rosetta Reitz pointed out that by the time Waters returned to Harlem in 1921, women blues singers were among the most powerful entertainers in the country. In 1921, Waters became the fifth black woman to make a record, for tiny Cardinal Records. She later joined Black Swan, where Fletcher Henderson was her accompanist. Waters ...
Old school jazz dance (also known as UK jazz dance) refers to the improvised dancing style that originated in the UK in the 1970s. The style grew in clubs in the UK, mainly in London and in northern cities, with the sounds of bebop , Afro-Cuban jazz , fusion , swing and other Latin -influenced jazz and funk.
A Great Day in Harlem or Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958. [1] The idea for the photo came from Esquire ' s art director, Robert Benton , rather than Kane. [ 2 ]
Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not only brought elements and influences unique to American black culture directly to African Americans ...
Black and Tan clubs were nightclubs in the United States in the early 20th century catering to the black and mixed-race ("tan") population. [1] [2] They flourished in the speakeasy era and were often popular places of entertainment linked to the early jazz years. With time the definition simply came to mean black and white clientele.
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