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Psalm 100 is the 100th psalm in the Book of Psalms in the Tanakh. [1] In English, it is translated as "Make a joyful noise unto the Lord, all ye lands" in the King James Version (KJV), and as "O be joyful in the Lord, all ye lands" in the Book of Common Prayer (BCP).
It is often included in Gospel music and a cappella concerts, songbooks, and Christian children's songbooks. [1] The song was written by George William Cooke. Cooke was born in Doncaster, Yorkshire, England in 1884 and died in Jamestown, New York in 1951. He was the author of "Joy in My Heart" which was copyrighted in 1925 (but not renewed).
The music video for "Tear in My Heart" was directed by Marc Klasfeld and filmed in Chinatown, Los Angeles. [6] [28] Alongside both band members, lead singer Tyler Joseph's wife Jenna Black, whom he married the previous month, also appears in the music video. [29] Tyler and Jenna practiced a fight scene together for the "Tear in My Heart" video. [6]
A setting of Psalm 100, "O, be joyful in the Lord", it is the first in a series of church anthems that Handel composed between 1717 and 1718, when he was composer in residence to James Brydges, later 1st Duke of Chandos. [1] The anthem was probably first performed at St. Lawrence's church, Whitchurch, near Brydges' country house. [2]
"Revive Us, Oh Lord" 10 2 "Abundance of Rain" 14 – "Fear Not My Child" (with Kim Boyce) – 24 "Jesus Is" 8 – A Long Time Ago...In a Land Called Bethlehem: 1988 "Radically Saved" 1 15 Live... Radically Saved "Lord of All" 2 17 "No Way, We Are Not Ashamed" 15 15 1989 "Jesus Is The Light" 3 33 Revival in the Land: 1990 "Shine Through Me" – 18
The music video for the song was taken on the film Cucumber Castle. "The Lord" was released as a B-side of "Don't Forget to Remember" in August 1969, but in Canada, "I Lay Down and Die" was the B-side. On the intro, someone says a Play you a song. [1]
"Awaiting on You All" is a song by English musician George Harrison, released on his 1970 triple album, All Things Must Pass. Along with the single "My Sweet Lord", it is among the more overtly religious compositions on All Things Must Pass, and the recording typifies co-producer Phil Spector's influence on the album, due to his liberal use of reverberation and other Wall of Sound production ...
Richard himself observed of the album that it was "the thing that really put me back in business. It was just the kind of music I had always wanted to record. After it was released the offers for gospel concerts started pouring in." [1]