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Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. See also Category:Color photographs
Mighty Joe Young (also known as Mr. Joseph Young of Africa and The Great Joe Young) is a 1949 American black and white fantasy film distributed by RKO Radio Pictures and produced by the same creative team responsible for King Kong (1933).
Kludde - (Belgium) demon summoned from the ashes of witches taking the form of a black wolf with bat wings, a birds beak and bear claws. Has glowing eyes, shapeshifting abilities and great speed. Orthrus – two headed dog, father/brother of Cerberus (Greek) Penghou – tree spirit that appears like a black dog and tastes like dog-meat (Chinese)
Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white.
The Thing from Another World, sometimes referred to as just The Thing, is a 1951 American black-and-white science fiction-horror film directed by Christian Nyby, produced by Edward Lasker for Howard Hawks' Winchester Pictures Corporation, and released by RKO Radio Pictures.
This is a list of science fiction and fantasy artists, notable and well-known 20th- and 21st-century artists who have created book covers or interior illustrations for books, or who have had their own books or comic books of fantastic art with science fiction or fantasy themes published. Artists known exclusively for their work in comic books ...
American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
The picture juxtaposes the similarities between the soft oval white face of the model, as if she were a living mask, with the shiny black mask, also with eyes closed and a serene expression. [4] It also expresses the artist's interest in African art, which had a huge influence in the artistic movements of the first decades of the 20th century.
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