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Panchamukha (Sanskrit: पञ्चमुख, romanized: Pañcamukha, lit. 'five faces'), also rendered Panchamukhi, is a concept in Hindu iconography, in which a deity is represented with five heads. [1] Several Hindu deities are depicted with five faces in their iconography, such as Hanuman, Shiva, Brahma, Ganesha, and Gayatri. [2]
Shiva dropped his earring on the ground, picked it by the toe of his left leg and fixed it back on his ear in the dance. Kali accepted her defeat and said she could not do such a marvellous dance. Shiva said that he alone was equal to her and said further that those coming to worship him here, should worship her first to reap the full benefit ...
The temple wall carvings display all the 108 karanas from the Natya Shastra by Bharata Muni, and these postures form a foundation of Bharatanatyam, a classical Indian dance. [17] The present temple was built in the 10th century when Chidambaram was the capital of the Chola dynasty, making it one of the oldest surviving active temple complexes ...
The Thiruvaalangadu temple, built by the Cholas during the 12th century CE (though inscriptions evidence the 5th century CE), is regarded as a sacred Shaivaite temple in that it is one of the 5 majestic cosmic dance halls (pancha sabhai) [1] of Lord Shiva, known as "Ratna Sabai".
The word Nataraja is a Sanskrit term, from नट Nata meaning "act, drama, dance" and राज Raja meaning "king, lord"; it can be roughly translated as Lord of the dance or King of the dance. [ 22 ] [ 23 ] According to Ananda Coomaraswamy , the name is related to Shiva's fame as the "Lord of Dancers" or "King of Actors".
In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 48 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
Shiva Tandava is described as a vigorous dance that is the source of the cycle of creation, preservation and dissolution. While the Rudra Tandava depicts his violent nature, first as the creator and later as the destroyer of the universe, even of death itself, the Ananda Tandava depicts him as joyful.
Appar narrates how Markandeya worshipped Shiva at Thirukkadavoor with devotion and the deity appeared to save him from Death. [8] The legend of Shiva's manifestation of Kalantaka is believed in local tradition to have happened at Triprangode, Tirur, Malappuram district, Kerala where the Kalasamharamurthy Temple is situated. [9] [10]