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In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.
However, this depends on the author. For example, Howard Temin published the following definition: Retroposons encode RT but are devoid of long terminal repeats (LTRs), for example long interspersed elements (LINEs). Retrotransposons also feature LTRs and retroviruses, in addition, are packaged as viral particles (virions). Retrosequences are ...
Examples of rhythmic retrogrades occur in the music of Alban Berg, for example in the operas Wozzeck and Lulu, and in the Chamber Concerto. [29] In discussing Berg's extensive use of retrograde and palindrome, Robert Morgan coins the word "circular" to describe musical situations "in which an opening gesture returns at a composition's close ...
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Songs Inspired by Literature, Chapter One: Justin Wells: The Odyssey: Homer [29] "Lay Down" Bursting at the Seams: Strawbs: The 23rd Psalm of the Book of Psalms from the Hebrew Bible and the Christian Old Testament [132] "The Legend of Enoch Arden" Songs Inspired by Literature, Chapter One: Diane Zeigler "The Legend of Enoch Arden" Alfred Lord ...
Quiz bowl tests players in a variety of academic subjects including literature, science, history, and fine arts. [23] Additionally, some quiz bowl events may feature small amounts of popular culture content like sports, popular music, and other non-academic general knowledge subjects, although their inclusion is generally kept to a minimum. [24 ...
In music theory, retrograde inversion is a musical term that literally means "backwards and upside down": "The inverse of the series is sounded in reverse order." [ 1 ] Retrograde reverses the order of the motif 's pitches : what was the first pitch becomes the last, and vice versa. [ 2 ]
Enslaved Africans brought call and response music with them to the colonized American continents and it has been transmitted over the centuries in various forms of cultural expression—in religious observance, public gatherings, sporting events, children's rhymes, and most notably, in African-American music in its myriad forms and descendants.