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The tablature of the guqin is unique and complex. The older form is composed of written words describing how to play a melody step-by-step using the plain language of the time, i.e. descriptive notation (Classical Chinese). The early pieces of music are all written by words to explicitly explain the fingerings.
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The Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì wén), also known as the Thousand Character Text, is a Chinese poem that has been used as a primer for teaching Chinese characters to children from the sixth century onward. It contains exactly one thousand characters, each used only once, arranged into 250 lines of four ...
Many East Asian scripts can be written horizontally or vertically. Chinese characters, Korean hangul, and Japanese kana may be oriented along either axis, as they consist mainly of disconnected logographic or syllabic units, each occupying a square block of space, thus allowing for flexibility for which direction texts can be written, be it horizontally from left-to-right, horizontally from ...
In the early 20th century, Chinese and Western music cultures slowly merged, driven by the external forces of art, to create a new style of Chinese music that was based on both cultures. Then, it was not until March 2, 1930, when the " League of Left-Wing Writers " was founded and its corresponding music criticism and music social activities ...
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In writing in the semi-cursive script, the brush leaves the paper less often than in the regular script. Characters appear less angular and instead rounder. In general, an educated person in China or Japan can read characters written in the semi-cursive script with relative ease, but may have occasional difficulties with certain idiosyncratic ...