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American Music: Off the Record is a 2008 American documentary film that features theorists Noam Chomsky and Douglas Rushkoff in an interrogation of the American music industry. The film covers a great deal of ground from the authenticity of live music to the circumvention of the corporate machine by indie distribution, to the demise of the ...
Chomsky's theory of generative grammar has also influenced work in music theory and analysis, such as Fred Lerdahl's and Ray Jackendoff's generative theory of tonal music. [294] [295] [296] Chomsky is among the most cited authors living or dead.
Pages in category "Works by Noam Chomsky" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. *
Pandemoniumfromamerica or also called Pandemonium From America is the sixth studio album by the actor Viggo Mortensen and the fourth collaboration with avant-garde guitarist Buckethead, released in 2003. The album is dedicated to Noam Chomsky. The album has been described thus:
Year 501: The Conquest Continues, by Noam Chomsky, first published in 1993, outlines a history of the world from 1492 to 1992 as a response to celebrations of the Columbus Quincentenary. Chomsky describes the book as "concerned with central themes of the 500-year European conquest of the world that was commemorated on October 12, 1992 the forms ...
Letters from Lexington: Reflections on Propaganda, first published in 1993, contains Noam Chomsky's criticism of the American media. The articles are available in parts on the Noam Chomsky Archive . Contents
The Sound Pattern of English (frequently referred to as SPE) is a 1968 work on phonology (a branch of linguistics) by Noam Chomsky and Morris Halle. In spite of its title, it presents not only a view of the phonology of English, but also contains discussions of a large variety of phonological phenomena of many other languages. The index lists ...
The Unanswered Question is a lecture series given by Leonard Bernstein in the fall of 1973. This series of six lectures was a component of Bernstein's duties as the Charles Eliot Norton Professor of Poetry for the 1972/73 academic year at Harvard University, and is therefore often referred to as the Norton Lectures.